"The West is stuck in a dead-end
where calling attention to Ukrainian soldiers wearing neo-Nazi uniforms “risks
playing into supporting Russia”, but ignoring it normalises the practice, the New
York Times has belatedly admitted.
A story which appears to break an
important our time media shibboleth that any critical examination of Ukraine is
implicit support for Russia has been published in the New
York Times, as it discusses the difficulties of Ukraine’s
neo-Nazi-symbol-wearing frontline fighters.
The report, referring to “thorny
issues” in its headline, highlights several cases where Ukrainian and NATO
authorities have been forced to take down social media posts promoting the work
of Ukraine’s armed forces.
Featuring regimental and ‘morale’ patches accented with Nazi emblems like
hooked crosses, sun wheels, and death heads, the images can present
difficulties to those who know that Vladimir Putin’s stated war goal is of
‘deNazifying’ Ukraine.
The NYT reports:
[Pictures of Neo-Nazi patches]
threatens to reinforce Mr. Putin’s statements and giving fuel to his
claims that Ukraine must be “de-Nazified” — a position that ignores the
fact that Ukraine’s president, Volodymyr Zelensky, is Jewish. More broadly,
Ukraine’s ambivalence about these symbols, and sometimes even its
acceptance of them, risks giving new, mainstream life to icons that the West
has spent more than a half-century trying to eliminate.
… So far, the imagery has not eroded
international support for Zelensky. It has, however, left diplomats, Western
journalists and advocacy groups in a difficult position: Calling attention to
the iconography risks supporting Russia. Saying nothing allows it
to spread.
The very narrow double standard that
now seems to apply to neo-Nazi-symbol-wearing soldiers in Ukraine was
underlined by Glenn Greenwald as he wrote: “In the US, anyone with a MAGA hat is
deemed a Nazi and must be destroyed… liberals see actual, real-deal Nazis
in Ukraine and want to fund and arm them.”
Rhetorically, he concluded: “Perhaps
there may be long-term dangers to flooding Nazi battalions with advanced
weaponry?”.
The NYT article notes many in
Ukraine see these historic symbols not as Nazi glyphs, but rather symbols of
pride and independence — something the article even indicates the
interpretations have in common with feelings about the Confederate ‘Southern Pride‘ flag in the
U.S. — and that many, including Western anti-hate groups, have decided to stay
silent on Ukraine for the sake of not appearing to support Russians.
These frank admissions are startling
precisely because until now many Western establishment media outlets, not least
amongst them the NYT, have been bullish on calling out people discussing Ukrainian
neo-Nazi iconography as spreading “false claims” in the past.
A 2022 article by the NYT
said, for instance, talking about the Azov Batallion was misleading because
analysts had said their portrayal in Russian media “exaggerates the extent to
which its members hold neo-Nazi views”. That article followed a similar
denouncement of thinking too much about the unusual prevalence of neo-Nazi
symbolism in Ukraine from the BBC earlier that year, which
appeared to hand-wave the number of self-professed Nazis in the Avoz battalion.
The BBC’s Ros Atkins cited Avoz’s
own assessment that “some of its fighters held Nazi views… only 10 to 20 per
cent of the group are Nazis”, remarking “it’s a tiny fraction of the Ukrainian
military”, and one that in the words of a cited expert who are “just good
fighters”.
The media appears to have been much
more willing to discuss the political views of Ukrainian fighters outside of
times of direct conflict, with Reuters writing on
“Ukraine’s neo-Nazi Problem” in 2018. Meanwhile in 2018, the U.S. Congress included a provision in its
$1.3 trillion omnibus government spending bill banning U.S. arms from going to
Ukraine’s Nazi-linked Azov Battalion. Specifically, the bill stipulated that
“none of the funds made available by this act may be used to provide arms,
training or other assistance to the Azov Battalion.””
We have a lot to think about. From the same opera is the rapid militarization of Germany and the destruction of the German economy, reminiscent of the destruction that followed World War I.
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